More than fifteen years ago, the cinema was already trying to capture the figure of Lara Croft. Roar Uthaug is retaking his chance today. With a little more success?
Lara Croft is undoubtedly one of the most famous figures of the video game. The film producers have thus very early on seen a bait of choice for a young and numerous public. Although they were rather profitable, the opus starring Angelina Jolie will not have scored fans of the saga, or moviegoers.
Skilfully rebuffed by Square Enix, the game itself began its moult in 2013, presenting a more natural and significantly less sexualized heroine. A salutary change that has not gone unnoticed at a time when women ‘s empowerment occupies the media scene.
While remaining entertaining, this new feature film had to convey a renewed image of the British adventurer. Uthaug therefore focused on the new virtual version of the young woman to deliver a frankly convincing copy. The choice of Alicia Vikander, who was not expected on this kind of project, is wise. Less fleshy than his predecessor, his physical abilities and his tone are better suited to the vision less manusculine worn by the game.
As in the latter, the director staged a resourceful woman, facetious, but mostly treated without care. Falls, blows, open wounds, the actress is not more mature than a man. We also feel that the production wanted to smooth as much as possible the questions related to its femininity. Square Enix had shown a little more audacity on that side.
If mimicry with the game helps to restore the image of his heroine, it has the effect of sanitizing a scenario already hungry. What may be pleasant to play is not necessarily to watch.
The staging of Uthaug is clean, but never go to a grain of madness. The first hour rather pleasant, thus leaves room for an ersatz Indiana Jones much less successful, and despite the presence of an engaging cast (Dominic West or Walton Goggins, excellent in The 8 bastards ). We would have liked the film to separate a little from its gaming mythology to not just look like a long cinematic scene.
At no time do we feel concerned by the stakes of the story for latest movies free download, which the less attentive may even forget in court. It will again be a time to find an ancestral mummy with a lot of amulets and sliding doors.
Uthaug tries to breathe an ounce of depth into the set by weaving a difficult relationship between a father and his daughter, but these scenes fall into such a mishmash that they weaken Vikander’s energetic performance in sockshare cinema movies. The studios have found the good muse, it is hoped that the sequel (announced in the film) will reward a scenario.
Adapt Tomb Raider to the cinema is more complicated than it looks. The choice of Alicia Vikander however takes all its meaning here. The young woman fits perfectly in the new image conveyed by the game, but unfortunately represents the only interest of the film. Despite some well-paced scenes, the lack of story stakes prevents us from attaching ourselves to the protagonists, and tarnishes the entire film. A heroine is good. A story is even better.